

Grindhouse is a 2007 American high concept action film co-written, produced, and directed by Robert Rodriguez and Quentin Tarantino. The film is a double feature consisting of two feature-length segments, the Rodriguez-directed Planet Terror and Tarantino-directed Death Proof, and bookended by fictional trailers for upcoming attractions, advertisements, and in-theater announcements. The film's title derives from the U.S. film industry term "grindhouse", which refers to (now no longer existent) movie theaters specializing in B movies, often exploitation films, shown in a multiple-feature format. The film's cast includes Rose McGowan, Freddy Rodriguez, Michael Biehn, Simon Pegg, Marley Shelton, Josh Brolin, Jeff Fahey, Naveen Andrews, Bruce Willis, Kurt Russell, Rosario Dawson, Jordan Ladd, Mary Elizabeth Winstead, stuntwoman Zoë Bell, and Vanessa Ferlito.
Rodriguez's segment, Planet Terror, revolves around an outfit of rebels attempting to survive an onslaught of zombie-like creatures as they feud with a military unit, while Tarantino's segment, Death Proof, focuses on a misogynistic, psychopathic stunt man who targets young women, murdering them with his "death proof" stunt car. Each feature is preceded by faux trailers of exploitation films in other genres that were developed by other directors.
After the film was released on April 6, 2007, ticket sales performed significantly below box office analysts' expectations despite mostly positive critic reviews. In much of the rest of the world, each feature was released separately in extended versions. Two soundtracks were also released for the features and include music and audio snippets from the film. This film later found more success on DVD and Blu-Ray. In several interviews, despite the box office failure, the directors have expressed their interest in a possible sequel to the film due its successful DVD and Blu-Ray sales and critical acclaim.
Planet Terror
In a rural town in Texas, go-go dancer 'Cherry Darling' decides to quit her low-paying job and find another use for her numerous 'useless' talents. She runs into her mysterious ex-boyfriend El Wray at the Bone Shack, a restaurant owned by JT Hague. Meanwhile, a group of military officials, led by the demented Lt. Muldoon, are making a business transaction with a scientist named Abby for mass quantities of a deadly biochemical agent known as DC2 (codename "Project Terror"); when Muldoon learns that Abby has an extra supply on hand, he attempts to take Abby hostage, and Abby intentionally releases the gas into the air. The gas reaches the town and turns its residents into deformed bloodthirsty psychopaths, mockingly referred to as "sickos" by the surviving humans. The infected townspeople are treated by the sinister Dr. William Block and his abused, neglected anesthesiologist wife Dakota at a local hospital. As the patients quickly become enraged aggressors, Cherry and Wray lead a team of accidental warriors into the night, struggling to find safety.
Death Proof
Three friends—Arlene, Shanna, and radio disc jockey Jungle Julia Lucai—spend a night in Austin, Texas celebrating Julia's birthday, unknowingly followed by a mysterious man in a souped-up 1974 Chevy Nova. The man, Stuntman Mike, stalks the young women with his "death proof car", eventually killing all three of them. Fourteen months later, Stuntman Mike, now with his '74 Nova rebuilt, stalks another group of young women—Lee, Abernathy, Kim, and Zoë—a group of women working below the line in Hollywood, whose Stock 1970 Dodge Challenger proves a worthy adversary.
The Edukators (German: Die fetten Jahre sind vorbei; literally "the fat years are over", or "your days of plenty are numbered") is a German-Austrian film made by the Austrian director Hans Weingartner and released in 2004. Nominated for the "Golden Palm Award" at the 2004 Cannes Film Festival,[1] it stars Daniel Brühl and Julia Jentsch.
The story revolves around three anti-capitalist activists living in Berlin city centre — Jule (Julia Jentsch), her boyfriend Peter (Stipe Erceg) and his best friend Jan (Daniel Brühl), along with a wealthy businessman named Hardenberg (Burghart Klaußner).
Jule is a waitress struggling to pay off the €100,000 debt she accumulated after crashing into Hardenberg's S-Class Mercedes-Benz on a motorway. After she is evicted for paying her rent late, she moves in with Peter and Jan, who are often out all night. When Peter takes a trip to Barcelona, Jan reveals that he and Peter spend their nights "educating" upper-class people by breaking into their houses, moving furniture around, and leaving notes with messages that say "Die fetten Jahre sind vorbei" (the days of plenty are over), or "Sie haben zu viel Geld" (you have too much money).
After learning this, Jule convinces the reluctant Jan to spontaneously break into Hardenberg's home in the affluent Berlin suburb of Zehlendorf, as he happens to be away on business. During the break-in, the two begin to kiss. Jan leaves Jule alone for a few minutes because he does not want to hurt his friendship with Peter. While wandering around, Jule accidentally sets off the house's floodlights after she goes outside and they leave in a hurry.
Peter returns the next day, but Jan and Jule do not tell him about their activities the night before. Jule soon realises that she is missing her mobile phone, so Jule and Jan go off later that night to look for it in the house. Just after she finds it, Hardenberg walks in the door and he begins to struggle with Jule after recognising her. Jan, who hears the struggle, comes downstairs and knocks Hardenberg out with a torch. Not knowing what to do, the pair call Peter who shows up to help them.
The three cannot decide what to do with Hardenberg, so they decide to take him to a remote and rarely-used cabin in the Tyrolean Austrian Alps, near Jenbach, overlooking Achensee, that belongs to Jule's uncle. While trying to decide how to deal with their hostage, they learn that Hardenberg was once a radical himself in the 1960s. He had been a leader of the Socialist German Student Union and was once good friends with Rudi Dutschke, before eventually marrying, getting a good job and abandoning his ideals.
As the story progresses, political ideologies, but more so the characters' relationships, become the deep issues. Peter and Jan have a temporary falling out over Jan's now blooming romance with Jule, while Hardenberg seems to regain some sense of his former self.
In the end, the three decide to take Hardenberg back to his house and let him go. As the three get ready to leave, Hardenberg hands Jule a letter, clearing all her debt and telling them that they need not worry about the police. The film ends with Peter, Jan and Jule sleeping in bed whilst a group of Spezialeinsatzkommando police amass outside the flat that Jule, Peter and Jan had been sharing, and knock on the door. Jule then wakes up when she hears a knock on the door. The police force their way into the flat which they find nearly completely empty. The film then cuts to Jule, who turns down a hotel maid offering to clean their room, presumably in a hotel in Barcelona. Back in the apartment in Berlin, the police find a note that reads "Manche Menschen ändern sich nie" (some people never change).
Another German version shows the three Edukators taking Hardenberg's boat into the Mediterranean to destroy the signal towers on an island that supply most of the television to Western Europe.
A Clockwork Orange is a 1971 dark satirical science fiction film adaptation of Anthony Burgess's 1962 novel of the same name. The film concerns Alex DeLarge (Malcolm McDowell), a charismatic, psychopathic delinquent whose pleasures are classical music (especially Beethoven), rape, and ultra-violence. He leads a small gang of thugs (Pete, Georgie, and Dim), whom he calls his droogs (from the Russian друг, “friend”, “buddy”). The film tells the horrific crime spree of his gang, his capture, and attempted rehabilitation via a controversial psychological conditioning technique. Alex narrates most of the film in Nadsat, a fractured, contemporary adolescent argot comprising Slavic (especially Russian), English, and Cockney rhyming slang.
This cinematic adaptation was produced, directed, and written by Stanley Kubrick. It features disturbing, violent images, to facilitate social commentary about psychiatry, youth gangs, and other contemporary social, political, and economic subjects in a dystopian, future Britain. A Clockwork Orange features a soundtrack comprising mostly classical music selections and Moog synthesizer compositions by Wendy Carlos. A notable exception is “Singin’ in the Rain”, chosen because it was a song whose lyrics actor Malcolm McDowell knew.The now-iconic poster of A Clockwork Orange, and its images, were created by designer Bill Gold. The film also holds the record in the Guinness World Records for being the first movie in media history using the Dolby Sound system.
Set in London, England in the near-future and narrated by Alex DeLarge, the film opens on Alex and his friends, "the droogs"; Pete (Michael Tarn), Georgie (James Marcus), and Dim (Warren Clarke), partaking of mescaline-spiked milk at the Korova Milk Bar prior to an evening of "the old ultra-violence". They proceed to beat up an elderly vagrant under a motorway and interrupt an attempted gang rape of a woman in an abandoned theatre by a rival gang of camouflage wearing Walts led by Billyboy (Richard Connaught). They subsequently get in a brawl with their rivals. Upon hearing the sounds of police sirens, Alex and his gang flees, stealing a car and driving into the countryside. They then gain entry to the home of Mr. Alexander, a writer, under false pretenses and assault him while violently raping his wife (Adrienne Corri), all while Alex sings Singing' in the Rain. When they return to the milk bar, Alex chides Dim when he interrupts a female patron while she sings a selection of Beethoven, a composer Alex admires.
The next day, Alex skips school and has an encounter with social worker Mr. Deltoid (Aubrey Morris). Deltoid is exasperated with Alex and talks about all his hard work with him. Deltoid is the one person who easily sees through Alex' lies. After picking up and having sex with two girls from a record shop, Alex regroups with his droogs in his building lobby who now challenge his authority: with Georgie insisting the gang be run in a "new way" that entails less power for Alex and more ambitious crimes. As they walk along a canal, Alex attacks his droogs in order to re-establish his leadership.
That night, the gang attempts to invade the home of a woman (Miriam Karlin) who lives alone with her cats and runs a health farm. In the process, she gets into a fight with Alex, and Alex mortally bludgeons her with a phallus-shaped statue. As they flee the scene, Dim smashes a milk bottle across Alex's face, temporarily blinding him and leaving him to be found by the police. During his interrogation, Alex is told by Mr. Deltoid that he is now a murderer, because the woman died from her injuries. To add insult to injury, Deltoid simply spits on Alex in sheer disgust.
After a trial, Alex is convicted of the murder and sentenced to 14 years in prison. He arrives from the courthouse where he is strip-searched and given a prison number which he must memorize. Two years later, Alex becomes friends with the prison chaplain and takes a keen interest in the Bible, but primarily in the more violent characters. When the Minister of the Interior (Anthony Sharp) arrives at the prison looking for volunteers for the Ludovico technique, an experimental aversion therapy for rehabilitating criminals, Alex eagerly steps forward, much to the disgust of Chief Officer Barnes (Michael Bates). At the Ludovico facility, Alex is placed in a straitjacket and forced to watch films containing scenes of extreme violence while being given drugs to induce reactions of revulsion. The films include one of real scenes in Nazi Germany, which includes a soundtrack of Beethoven's Ninth Symphony. Alex realises this will likely condition him against Beethoven's music and makes an agonised though unsuccessful attempt to have the treatment end prematurely before the conditioning sets in. Alex is forced to watch two of these violent films a day. Two weeks later, after the treatment is finished, Alex's reformed behaviour is demonstrated for the audience. He is unable to respond back to an Irish actor (John Clive) shouting insults and picking a fight with him, and a feeling of sickness attacks him when he is presented with a young naked woman who sexually arouses him. The Minister declares Alex to be cured, but the chaplain asserts that Alex no longer has any free will.
Alex is let free from prison two years after his sentencing. He returns home only to find that his parents have rented out his room to a lodger named Joe (Clive Francis), leaving him on his own. On the street, Alex comes across the same vagrant he had assaulted before the treatment, who calls in his friends and they attack Alex. Two policemen arrive to break up the fight, but Alex discovers the policemen to be his former droogs, Dim and Georgie. They drag Alex out to the countryside, where they brutally assault and half-drown him in a vat of water before leaving him for dead.
Battered and bruised, Alex wanders to the home of Mr. Alexander, who does not recognize him from two years prior, due to Alex’ wearing a mask at the time. Mr. Alexander is revealed to have been crippled by the attack two years earlier and now lives with a personal bodyguard, manservant, and physical trainer named Julian (David Prowse). Mr. Alexander takes Alex into his home, aware that he had undergone the Ludovico treatment due to the story published in all of the country's newspapers. Mr. Alexander tends to Alex's wounds, but the memories of his assault return when Alex sings "Singin' in the Rain" while he is taking a bath. Mr. Alexander drugs Alex, locks him in the upper floor of his home and plays Beethoven's Ninth Symphony at full volume through a powerful stereo on the floor below, knowing that the Ludovico treatment will cause immense pain to Alex. In order to escape the torture, Alex becomes suicidal and throws himself out of the room's window.
Alex recovers consciousness days later to find himself in traction, with dreams about doctors messing around inside his head. Through a series of psychological tests, Alex finds that he no longer has a revulsion to violence. The Minister of the Interior comes to Alex and apologises for subjecting him to the treatment, and informs him that Mr. Alexander has been "put away". The Minister then offers Alex an important government job and, as a show of goodwill, has a stereo wheeled to his bedside playing Beethoven's Ninth. Alex then realises that instead of an adverse reaction to the music, he sees images of sexual pleasure. He then states (in a sarcastic and menacing voice-over) "I was cured, all right!"